Interests
My passion as an avid sailor earned me a 100 Ton Boat Captain License and is an ASA certified sailing instructor. I enjoy sharing my love of the water by teaching sailing and carving a pathway for people to develop the skills to work in the marine industry. A lifelong advocate for clean oceans, my passion for marine conservation is as endless as the sea.
Education
- MFA Acting Pedagogy Virginia Commonwealth University
- B.A Theater University of New Mexico
Awards
- Finish Strong Faculty Award: Florida Southern College, 2026
- POCR OEI Course Design Rubric Instructor, 2024
- ACUE Grant Inspiring Inquiry and Preparing Lifelong Learners, 2024
- ACUE Grant Creating an Inclusive and Supportive Learning Environment, 2024
- ACUE Effective Teaching Practice Framework, 2023
- Zero Textbook Cost Grant Oxnard College, Oxnard, CA, 2022- 2023
- Faculty Innovation Award: William Jewell College Liberty, MO, 2015
- Innovation Grant from the Ewing Marion Kauffman Foundation, Kansas City, MO, 2013
- Summer Research Grant, Synesthesia in the Arts: William Jewell College, Liberty, MO, 2013
- Faculty Excellence in Teaching Award: Middlesex College Edison, NJ 2005
Publications
An Interview with Robert Blake Whitehill Author of the book adapted to a feature film Tap Rack Bang Shelton Interactive. Nov, 2014
HowlRound; A Center for Theatre Commons at Emerson College. Finding the Y; Ideation on Directing "A Murder of Crows" in Real Time Theatre, An Interview with Mac Wellman. June, 2014
Projects
Presentations
(2025-2026) Marymount Manhattan College - The Collaborative Process: Synergy Between Directors and Designers
(2021-2022) Oxnard College - Sight and Sound Festival Industry Trends in Eco-casting
(2015) MATC Production: Confessions of a Synesthetic Sailor; An Interactive Journey Through High Seas Written and Performed by Natasha Lee Martin
(2013) MATC Production Presentation: Finding the Y; Ideation on Directing "A Murder of Crows" in Real Time Theatre including Interview with Mac Wellman.
(2011) Panelist on “Sex and Art” for the Riot Girl; Street Activism & Feminist Expression Underground Howl Organization New York City (2011) Young Women’s Caucus Presentation of Performance Solo Show “45Th Presidency” NYC
(2009) ATHE: NYC Acting and LGBT Focus Groups
(2007) NEA Historic Philadelphia -Conference Presentation: First Person Interpretation in Curriculum Development for History in Secondary and Higher Education, Philadelphia, PA. (2007) NCHE Historic Philadelphia -Conference Presentation: First Person Interpretation in Curriculum Development for History in Secondary Education, Williamsburg, VA
International
"Exploring action in Shakespeare’s scenes and text. Illuminating word to action in the Bard’s plays" - LaMama Theater, E.T.C. Umbria, Spoleto Italy 2013
Professional Workshops Taught
Virtual Casting Lab 2026 - The Future of Eco-Casting: Trends for Stage & Screen
Oxnard, CA. Sight and Sound Film Festival 2019- 2023 “H.O.T. Acting! Headshots, Originality, Training – Becoming a Hot Actor!” Audition workshop and panel for the Sight and Sound Film Festival
Theaterlab NYC, NY July 2014 Devising techniques from Frantic Assembly, UK. (Alison Oddey)
The Lost Studio Theater Los Angeles, CA Nov, 2012 Audition Workshop Actor's Studio NYC, (Viola Spolin)
New Jersey City University Jersey City, NJ, Spring 2010 The Theatre Improvisation Toolbox; Using Performance Techniques to Foster Engaged Learning, Community, Literacy and Focus in a Diverse, General Studies Classroom.
Middlesex College Edison, NJ Fall 2009/ Spring 2010 The Modern Actor Audition Technique for Musical Theatre;
Clemente Soto Velez Flamboyan Theatre NYC, NY 2009 Improvisation; Incorporating Grotowski and Fitzmaurice (Co-taught with Stanton Davis Head of BFA Program at NIU)
Sycamore Rouge Theatre Petersburg, VA 2008 Acting for the Camera Audition
Mary Anne Claro Talent Agency Philadelphia, PA 2005 Acting for the Camera: Audition Cold Reading, and Private Coaching: Role Preparation for callbacks
Theatre Virginia New Voices Program Richmond, VA 2000-2003 Character Development Stanislavski’s “Building a Character” and “An Actor Prepares” Script Analysis